第1个回答 2009-06-08
"The Sun Also Rises," Hemingway's tragedy marked the formation of consciousness. Young Hemingway and war from our own experience of living in Europe, saw the cruelty and absurdity of war, but also experienced the tragedy of the nature of life. During this period, his attitude towards the tragedy of the whole, it is acceptable subordination and helplessness. However, the naturalistic fatalism, not only from a literary point of view is outdated, and the head as a life or world view, and also incompatible with the character of Ernest Hemingway. He is destined to go beyond the realm, in fact, he soon did. From "The Sun Also Rises" to "A Farewell to Arms" time after only three years,
Hemingway completed a tragedy but a major shift in consciousness. Compared to the previous works, "A Farewell to Arms," the tragedy of more intense color, and, as closely around the two main lines of war and love, describing the former to the latter and kill mercilessly destroyed, more mournful story of the novel moving. In this sense, "The Sun Also Rises" and "A Farewell to Arms" line, Ernest Hemingway embodies the sense of the continuity of the tragedy. However, the two novels show an obvious change: the original
Consciously to avoid the tendency to be fatalistic sense of tragedy replaced characters from numbness, emptiness and inactivity into exile after the war to avoid the tragedy of the conscious pursuit of personal well-being of those who experience the war directly.
看看行不行,不行再改改
第2个回答 2009-06-09
大概是这样
"The Sun Also Rises," Hemingway's tragedy marked the formation of consciousness. Young Hemingway and war from our own experience of living in Europe, saw the cruelty and absurdity of war, but also experienced the tragedy of the nature of life. During this period, his attitude towards the tragedy of the whole, it is acceptable subordination and helplessness. However, the naturalistic fatalism, not only from a literary point of view is outdated, and the head as a life or world view, and also incompatible with the character of Ernest Hemingway. He is destined to go beyond the realm, in fact, he soon did. From "The Sun Also Rises" to "A Farewell to Arms" time after only three years, but the tragedy of Hemingway completed a major shift in awareness. Compared to the previous works, "A Farewell to Arms," the tragedy of more intense color, and, as closely around the two main lines of war and love, describing the former to the latter and kill mercilessly destroyed, more mournful story of the novel moving. In this sense, "The Sun Also Rises" and "A Farewell to Arms" line, Ernest Hemingway embodies the sense of the continuity of the tragedy. However, the two novels show an obvious change: the original fatalism consciously to avoid the tendency to be replaced by a sense of tragedy, the novel figures from numb, empty and idle into the post-war sense of exile to avoid the tragedy, the pursuit of personal happiness From direct experience of war.
第3个回答 2009-06-08
"The Sun Also Rises," Hemingway's tragedy marked the formation of consciousness. Young Hemingway and war from our own experience of living in Europe, saw the cruelty and absurdity of war, but also experienced the tragedy of the nature of life. During this period, his attitude towards the tragedy of the whole, it is acceptable subordination and helplessness. However, the naturalistic fatalism, not only from a literary point of view is outdated, and the head as a life or world view, and also incompatible with the character of Ernest Hemingway. He is destined to go beyond the realm, in fact, he soon did. From "The Sun Also Rises" to "A Farewell to Arms" time after only three years, but the tragedy of Hemingway completed a major shift in awareness. Compared to the previous works, "A Farewell to Arms," the tragedy of more intense color, and, as closely around the two main lines of war and love, describing the former to the latter and kill mercilessly destroyed, more mournful story of the novel moving. In this sense, "The Sun Also Rises" and "A Farewell to Arms" line, Ernest Hemingway embodies the sense of the continuity of the tragedy. However, the two novels show an obvious change: the original fatalism consciously to avoid the tendency to be replaced by a sense of tragedy, the novel figures from numb, empty and idle into the post-war sense of exile to avoid the tragedy, the pursuit of personal happiness From direct experience of war.
第4个回答 2009-06-08
一楼的太强啦!我还没来得及回答里。
"The Sun Also Rises," Hemingway's tragedy marked the formation of consciousness. Young Hemingway and war from our own experience of living in Europe, saw the cruelty and absurdity of war, but also experienced the tragedy of the nature of life. During this period, his attitude towards the tragedy of the whole, it is acceptable subordination and helplessness. However, the naturalistic fatalism, not only from a literary point of view is outdated, and the head as a life or world view, and also incompatible with the character of Ernest Hemingway. He is destined to go beyond the realm, in fact, he soon did. From "The Sun Also Rises" to "A Farewell to Arms" time after only three years, but the tragedy of Hemingway completed a major shift in awareness. Compared to the previous works, "A Farewell to Arms," the tragedy of more intense color, and, as closely around the two main lines of war and love, describing the former to the latter and kill mercilessly destroyed, more mournful story of the novel moving. In this sense, "The Sun Also Rises" and "A Farewell to Arms" line, Ernest Hemingway embodies the sense of the continuity of the tragedy. However, the two novels show an obvious change: the original fatalism consciously to avoid the tendency to be replaced by a sense of tragedy, the novel figures from numb, empty and idle into the post-war sense of exile to avoid the tragedy, the pursuit of personal happiness From direct experience of war.
第5个回答 2009-06-08
你以为200分还能买别人给你翻译啊?我看没这样的傻子,把它变成RMB还差不多!