第1个回答 2008-08-23
Jiri Trnka was born in 1912 Austro-Hungarian Empire Pilsen (now the Czech Plzen), his parents were artisans and tailoring, Trnka to the operation theater of the dual master learning, so he laid a Doll in the animation is based on creativity, but also for his Works both in clothing, equipment and action on the bone are in style. Like many Eastern European animation, and his works in extolling national culture, especially folk customs, also looming on the current political situation to comment. He is committed to the Czech puppet animation of this traditional art form, and irrefutably the Czech puppet animation into the jungle giant, world-renowned master of animation frames. Note: Without sound (Stop-Motion Animation), through case-by-grid to the subject and then make continuous screenings, which seems to have a live person or a general you could imagine that any singular role. We usually referred to the grid by the clay animation are generally even, puppet shows or mixed materials to perform the role. This form of animation history and the traditional sense of hand-painted animation (Cel Animation) as long as history, even more ancient. Trnka also create a cartoon image, it is still his puppet animation is become the internationally recognized artists and a number of international film festival winner. He also most of the film script written by himself. Figures produced by his lovely and detailed, the same scene and clothing fine and beautiful. But he began to note that puppet animation and puppet theatre different, no longer allow the occasional film can Zhabazhaba moving eyes and mouth, but to use the camera and lighting to transform the atmosphere. He is also a master storyteller, he realized early on that "story line" dual key animation, whether it is adapted or created, he had no life to become a puppet of the role of lovable amiable, lifelike performance of a surface The best of a moving story.
Jiri Trnka Prague is the Arts and Crafts school graduates, in 1936 created a puppet theatre, the theatre after the outbreak of World War II, was disbanded. During the war Jiri Trnka do stage design and drawing illustrations for children's books. After the end of the Second World War, he was assigned to the establishment of the Czech National Film animation department (Czech animation at the home of official support from the beginning of 1945 in Prague and Gottwald formed a two animation school). In 1946, he and several of the Czech Republic early animation master common in Prague film studios set up a animation studio - "Bratriv Triku" (Trick Brothers, Jiri Trnka Studio, the predecessor), and as the studio head. 10 years almost all of the Czech puppet animation works are from his studio's rapid animation industry in the world renowned. In 1948 Venice Film Festival award was "in the Czech Republic" (Spalicek) depicts the Czech Republic and the civil life of traditional festivals of Carnival, two long-Baroque style of "The Emperor's Nightingale" (Cisaruv slavík) and "Pakistan Yaya Prince "(Bajaja) were taken from Andersen's Fairy Tales and Legends of the Middle Ages, and then, totally faithful to Sefu • Verkhovna Rada about the shape of the famous illustrations" Haobingshuaike "(Dobrý voják Svejk) has been onto the Screen, the 1959 adaptation of Shakespeare's works since a long animation "A Midsummer Night's Dream" (Sen noci svatojanske) is also one of its representative. But he died only 58 years old (because of heart disease died in December 30, 1969 in Prague), to commemorate Trnka, Bratriv Triku studio officially changed its name to "Jiri Trnka Studio". Some people called him "Europe's Walt Disney", I feel that this call is not appropriate, because the United States Trnka's art and animation style and positioning is totally different, but we can call this a description of animation in Europe that Trnka The status of the history.
1965 Jirí Trnka directed his final film, the artists in a depressed community to make clear the situation in the statement. The "hand" (Ruka) only two "actors": a small puppet, one of the hand. Tablets represents a small puppet artists, he dressed up the old camp, appeared to be the village artist, is concentrating production of clay pots, then broke into a hand, forced the artist as his own statue out to be a hero, artists flatly rejected, so will the hand Shops destroyed. When the artist repair the Puzi, big hands again, repeat the previous request. Artists forced to helplessness, they promised, but slow progress. Subsequently, a woman came to visit the artist's hand, the last artists find themselves imprisoned, is only a puppet pull strings reality. At the end of the film, puppet artists were tortured in the death, the symbolic power of big hands "Yiguanchuchu" to appear again, to the artists on the tiny coffin covered with the Medal of Honor, praised him "for the country Caolao died."
第2个回答 2008-08-26
Jiri Trnka was born in 1912 Austro-Hungarian Empire Pilsen (now the Czech Plzen), his parents were artisans and tailoring, Trnka to the operation theater of the dual master learning, so he laid a Doll in the animation is based on creativity, but also for his Works both in clothing, equipment and action on the bone are in style. Like many Eastern European animation, and his works in extolling national culture, especially folk customs, also looming on the current political situation to comment. He is committed to the Czech puppet animation of this traditional art form, and irrefutably the Czech puppet animation into the jungle giant, world-renowned master of animation frames. Note: Without sound (Stop-Motion Animation), through case-by-grid to the subject and then make continuous screenings, which seems to have a live person or a general you could imagine that any singular role. We usually referred to the grid by the clay animation are generally even, puppet shows or mixed materials to perform the role. This form of animation history and the traditional sense of hand-painted animation (Cel Animation) as long as history, even more ancient. Trnka also create a cartoon image, it is still his puppet animation is become the internationally recognized artists and a number of international film festival winner. He also most of the film script written by himself. Figures produced by his lovely and detailed, the same scene and clothing fine and beautiful. But he began to note that puppet animation and puppet theatre different, no longer allow the occasional film can Zhabazhaba moving eyes and mouth, but to use the camera and lighting to transform the atmosphere. He is also a master storyteller, he realized early on that "story line" dual key animation, whether it is adapted or created, he had no life to become a puppet of the role of lovable amiable, lifelike performance of a surface The best of a moving story.
Jiri Trnka Prague is the Arts and Crafts school graduates, in 1936 created a puppet theatre, the theatre after the outbreak of World War II, was disbanded. During the war Jiri Trnka do stage design and drawing illustrations for children's books. After the end of the Second World War, he was assigned to the establishment of the Czech National Film animation department (Czech animation at the home of official support from the beginning of 1945 in Prague and Gottwald formed a two animation school). In 1946, he and several of the Czech Republic early animation master common in Prague film studios set up a animation studio - "Bratriv Triku" (Trick Brothers, Jiri Trnka Studio, the predecessor), and as the studio head. 10 years almost all of the Czech puppet animation works are from his studio's rapid animation industry in the world renowned. In 1948 Venice Film Festival award was "in the Czech Republic" depicts the Czech Republic and the civil life of traditional festivals of Carnival, two long-Baroque style of "The Emperor's Nightingale"and "Pakistan Yaya Prince " were taken from Andersen's Fairy Tales and Legends of the Middle Ages, and then, totally faithful to Sefu • Verkhovna Rada about the shape of the famous illustrations" Haobingshuaike " has been onto the Screen, the 1959 adaptation of Shakespeare's works since a long animation "A Midsummer Night's Dream" (Sen noci svatojanske) is also one of its representative. But he died only 58 years old (because of heart disease died in December 30, 1969 in Prague), to commemorate Trnka, Bratriv Triku studio officially changed its name to "Jiri Trnka Studio". Some people called him "Europe's Walt Disney", I feel that this call is not appropriate, because the United States Trnka's art and animation style and positioning is totally different, but we can call this a description of animation in Europe that Trnka The status of the history.
1965 Jirí Trnka directed his final film, the artists in a depressed community to make clear the situation in the statement. The "hand" only two "actors": a small puppet, one of the hand. Tablets represents a small puppet artists, he dressed up the old camp, appeared to be the village artist, is concentrating production of clay pots, then broke into a hand, forced the artist as his own statue out to be a hero, artists flatly rejected, so will the hand Shops destroyed. When the artist repair the Puzi, big hands again, repeat the previous request. Artists forced to helplessness, they promised, but slow progress. Subsequently, a woman came to visit the artist's hand, the last artists find themselves imprisoned, is only a puppet pull strings reality. At the end of the film, puppet artists were tortured in the death, the symbolic power of big hands "Yiguanchuchu" to appear again, to the artists on the tiny coffin covered with the Medal of Honor, praised him "for the country Caolao died."