Alice's Adventures in Wonderland and its sequel, Through the Looking Glass, both of which are children's books with content and style that have often appealed as much to adult readers as to the young.
It was published in 1865 and was in fact with a particular child in mind, Alice Liddell, and had the working title "Alice's Adventures Under Ground". As befits that title, the tale is indeed of a trip (with the additional psychedelic sense certainly intact for the modern reader) beneath normal existence.
Alice follows a certain White Rabbit down from the riverside in a dream. This alternate reality follows its own internal logic and is therefore not merely an excuse for fantasy.
This logic is played out by now well-known characters such as the Mad Hatter, the Queen of Hearts, the Mock Turtle, the Cheshire Cat and the March Hare whose tea parties and games have taken their place in the folklore of the real world through generations of readers.
The story has no moral dimension to speak of and is therefore unusual for nineteenth century children's literature, but it does extol caution and other common sense values in the often foolish choices made by Alice that take her deeper into the strange dimension. Its popularity among adults has led to it being translated into Latin.
《爱丽丝梦游仙境历险记》及其续集《透过镜子》，这两本书都是儿童读物，其内容和风格往往既吸引成人读者，也吸引年轻人。这本书出版于1865年，事实上，它心中有一个特别的孩子，爱丽丝·利德尔，书名为《爱丽丝的地下历险记》。
正如这个标题所描述的那样，这个故事确实是一次在正常存在之下的旅行（对于现代读者来说，额外的迷幻感当然是完好无损的）。爱丽丝在梦中跟着一只白兔从河边下来。这种交替的现实遵循其自身的内在逻辑，因此不仅仅是幻想的借口。
这一逻辑被现在著名的角色所演绎，如疯帽匠、红桃皇后、素甲鱼、柴郡猫和三月兔，他们的茶话会和游戏通过几代读者在现实世界的民间传说中占据了一席之地。
这个故事没有道德层面可言，因此在十九世纪儿童文学中是不寻常的，但它确实赞扬了谨慎和其他常识价值观，因为爱丽丝常常做出愚蠢的选择，使她更深入地进入了奇怪的层面。它在成年人中的流行导致它被翻译成拉丁语。
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第1个回答 2011-02-14
爱丽丝梦游仙境 Alice In Wonderland
Review on Alice In Wonderland
So here we are again, back down the rabbit hole with the ever-resourceful Alice courtesy of another movie studio. Ever wonder why they bother? Perhaps it's the fact that up until the last 50 years there was a dearth of decent young female protagonists in literature, but one thing's for sure, there's no sign of filmmakers getting tired of reinterpreting her picaresque adventures in Wonderland.
This time up, Tim Burton is at the tiller, so you might expect a gothic twist in the tale. What you are unlikely to predict is the sheer mediocrity of this enterprise; there is more that is wandering than wonderful here. In an attempt to give Alice a touch of the Noughties - and presumably to attract that all-important teenage demographic - she is now 19 years old. Plagued her whole life by nightmares of falling, which no doubt account for the fact that actress Mia Wasikowska looks like a sallow, underfed version of Gwyneth Paltrow, she is about to be railroaded into marriage. Dashing off from the imminent proposal, she trips on a tree that appears to be a refugee from Sleepy Hollow and tumbles down the rabbit hole. After the traditional shenanigans with glass-topped table, key, 'drink me' juice and 'eat me' cake she manages to unlock and pass through a small door, but those who have brought her here fear they have "the wrong Alice".
They must have the right one, you see, because it has been declared that she will become the White Queen's champion, slay the fearsome Jabberwock and thereby vanquish the evil Red Queen. Somehow the Mad Hatter (Johnny Depp) becomes muddled up in all this, along with Tweedledum and Tweedledee (Matt Lucas doing the vocal honours), The Cheshire Cat (Stephen Fry, who else?), the White Rabbit (who is so twitchy and red-eyed he looks like he's an hour late for his fix) and the Dormouse (Barbara Windsor on feisty form).
This sort of quest story - both external and internal - should be as easy as falling off a log for Disney, but Alice's travels are so randomly strung together that all tension is lost. It's as though the script meeting was held at the Mad Hatter's tea party, with all the ideas put in teacups and thrown against the wall - all of them seem to have stuck but in no particular order. The actors don't help either. Anne Hathaway is attempting to be the second coming of Glinda The Good Witch, Crispin Glover plays the creepy character he always plays, only this time hampered by dicey CGI, and Johnny Depp uses the role of the Mad Hatter to practice both his posh English and Glaswegian accents, switching between the two for no discernible reason and with no obvious effect on the laughter quotient.
Burton has always been known for arresting visuals, but audiences have been spoiled of late, with films like Avatar, A Christmas Carol and Up proving just how immersive 3D can be. Here it is little more than a gimmick. Occasionally a cup is thrown at us but there is nothing to draw us in, to make us feel like a part of the dreamscape. Wonderland? I'm afraid this Alice has gone for a Burton. 祝你作业全班最棒！我顶你呦！本回答被提问者采纳
Review on Alice In Wonderland
So here we are again, back down the rabbit hole with the ever-resourceful Alice courtesy of another movie studio. Ever wonder why they bother? Perhaps it's the fact that up until the last 50 years there was a dearth of decent young female protagonists in literature, but one thing's for sure, there's no sign of filmmakers getting tired of reinterpreting her picaresque adventures in Wonderland.
This time up, Tim Burton is at the tiller, so you might expect a gothic twist in the tale. What you are unlikely to predict is the sheer mediocrity of this enterprise; there is more that is wandering than wonderful here. In an attempt to give Alice a touch of the Noughties - and presumably to attract that all-important teenage demographic - she is now 19 years old. Plagued her whole life by nightmares of falling, which no doubt account for the fact that actress Mia Wasikowska looks like a sallow, underfed version of Gwyneth Paltrow, she is about to be railroaded into marriage. Dashing off from the imminent proposal, she trips on a tree that appears to be a refugee from Sleepy Hollow and tumbles down the rabbit hole. After the traditional shenanigans with glass-topped table, key, 'drink me' juice and 'eat me' cake she manages to unlock and pass through a small door, but those who have brought her here fear they have "the wrong Alice".
They must have the right one, you see, because it has been declared that she will become the White Queen's champion, slay the fearsome Jabberwock and thereby vanquish the evil Red Queen. Somehow the Mad Hatter (Johnny Depp) becomes muddled up in all this, along with Tweedledum and Tweedledee (Matt Lucas doing the vocal honours), The Cheshire Cat (Stephen Fry, who else?), the White Rabbit (who is so twitchy and red-eyed he looks like he's an hour late for his fix) and the Dormouse (Barbara Windsor on feisty form).
This sort of quest story - both external and internal - should be as easy as falling off a log for Disney, but Alice's travels are so randomly strung together that all tension is lost. It's as though the script meeting was held at the Mad Hatter's tea party, with all the ideas put in teacups and thrown against the wall - all of them seem to have stuck but in no particular order. The actors don't help either. Anne Hathaway is attempting to be the second coming of Glinda The Good Witch, Crispin Glover plays the creepy character he always plays, only this time hampered by dicey CGI, and Johnny Depp uses the role of the Mad Hatter to practice both his posh English and Glaswegian accents, switching between the two for no discernible reason and with no obvious effect on the laughter quotient.
Burton has always been known for arresting visuals, but audiences have been spoiled of late, with films like Avatar, A Christmas Carol and Up proving just how immersive 3D can be. Here it is little more than a gimmick. Occasionally a cup is thrown at us but there is nothing to draw us in, to make us feel like a part of the dreamscape. Wonderland? I'm afraid this Alice has gone for a Burton. 祝你作业全班最棒！我顶你呦！本回答被提问者采纳
第2个回答 2011-02-11
爱丽丝梦游仙境 Alice In Wonderland
Review on Alice In Wonderland
So here we are again, back down the rabbit hole with the ever-resourceful Alice courtesy of another movie studio. Ever wonder why they bother? Perhaps it's the fact that up until the last 50 years there was a dearth of decent young female protagonists in literature, but one thing's for sure, there's no sign of filmmakers getting tired of reinterpreting her picaresque adventures in Wonderland.
This time up, Tim Burton is at the tiller, so you might expect a gothic twist in the tale. What you are unlikely to predict is the sheer mediocrity of this enterprise; there is more that is wandering than wonderful here. In an attempt to give Alice a touch of the Noughties - and presumably to attract that all-important teenage demographic - she is now 19 years old. Plagued her whole life by nightmares of falling, which no doubt account for the fact that actress Mia Wasikowska looks like a sallow, underfed version of Gwyneth Paltrow, she is about to be railroaded into marriage. Dashing off from the imminent proposal, she trips on a tree that appears to be a refugee from Sleepy Hollow and tumbles down the rabbit hole. After the traditional shenanigans with glass-topped table, key, 'drink me' juice and 'eat me' cake she manages to unlock and pass through a small door, but those who have brought her here fear they have "the wrong Alice".
They must have the right one, you see, because it has been declared that she will become the White Queen's champion, slay the fearsome Jabberwock and thereby vanquish the evil Red Queen. Somehow the Mad Hatter (Johnny Depp) becomes muddled up in all this, along with Tweedledum and Tweedledee (Matt Lucas doing the vocal honours), The Cheshire Cat (Stephen Fry, who else?), the White Rabbit (who is so twitchy and red-eyed he looks like he's an hour late for his fix) and the Dormouse (Barbara Windsor on feisty form).
This sort of quest story - both external and internal - should be as easy as falling off a log for Disney, but Alice's travels are so randomly strung together that all tension is lost. It's as though the script meeting was held at the Mad Hatter's tea party, with all the ideas put in teacups and thrown against the wall - all of them seem to have stuck but in no particular order. The actors don't help either. Anne Hathaway is attempting to be the second coming of Glinda The Good Witch, Crispin Glover plays the creepy character he always plays, only this time hampered by dicey CGI, and Johnny Depp uses the role of the Mad Hatter to practice both his posh English and Glaswegian accents, switching between the two for no discernible reason and with no obvious effect on the laughter quotient.
Burton has always been known for arresting visuals, but audiences have been spoiled of late, with films like Avatar, A Christmas Carol and Up proving just how immersive 3D can be. Here it is little more than a gimmick. Occasionally a cup is thrown at us but there is nothing to draw us in, to make us feel like a part of the dreamscape. Wonderland? I'm afraid this Alice has gone for a Burton.
Review on Alice In Wonderland
So here we are again, back down the rabbit hole with the ever-resourceful Alice courtesy of another movie studio. Ever wonder why they bother? Perhaps it's the fact that up until the last 50 years there was a dearth of decent young female protagonists in literature, but one thing's for sure, there's no sign of filmmakers getting tired of reinterpreting her picaresque adventures in Wonderland.
This time up, Tim Burton is at the tiller, so you might expect a gothic twist in the tale. What you are unlikely to predict is the sheer mediocrity of this enterprise; there is more that is wandering than wonderful here. In an attempt to give Alice a touch of the Noughties - and presumably to attract that all-important teenage demographic - she is now 19 years old. Plagued her whole life by nightmares of falling, which no doubt account for the fact that actress Mia Wasikowska looks like a sallow, underfed version of Gwyneth Paltrow, she is about to be railroaded into marriage. Dashing off from the imminent proposal, she trips on a tree that appears to be a refugee from Sleepy Hollow and tumbles down the rabbit hole. After the traditional shenanigans with glass-topped table, key, 'drink me' juice and 'eat me' cake she manages to unlock and pass through a small door, but those who have brought her here fear they have "the wrong Alice".
They must have the right one, you see, because it has been declared that she will become the White Queen's champion, slay the fearsome Jabberwock and thereby vanquish the evil Red Queen. Somehow the Mad Hatter (Johnny Depp) becomes muddled up in all this, along with Tweedledum and Tweedledee (Matt Lucas doing the vocal honours), The Cheshire Cat (Stephen Fry, who else?), the White Rabbit (who is so twitchy and red-eyed he looks like he's an hour late for his fix) and the Dormouse (Barbara Windsor on feisty form).
This sort of quest story - both external and internal - should be as easy as falling off a log for Disney, but Alice's travels are so randomly strung together that all tension is lost. It's as though the script meeting was held at the Mad Hatter's tea party, with all the ideas put in teacups and thrown against the wall - all of them seem to have stuck but in no particular order. The actors don't help either. Anne Hathaway is attempting to be the second coming of Glinda The Good Witch, Crispin Glover plays the creepy character he always plays, only this time hampered by dicey CGI, and Johnny Depp uses the role of the Mad Hatter to practice both his posh English and Glaswegian accents, switching between the two for no discernible reason and with no obvious effect on the laughter quotient.
Burton has always been known for arresting visuals, but audiences have been spoiled of late, with films like Avatar, A Christmas Carol and Up proving just how immersive 3D can be. Here it is little more than a gimmick. Occasionally a cup is thrown at us but there is nothing to draw us in, to make us feel like a part of the dreamscape. Wonderland? I'm afraid this Alice has gone for a Burton.
第3个回答 2011-02-13
Story begins with the story of a girl named Alice, and sister in an accident when reading a book into the world. There, she experienced a lot in reality things are not. Talking rabbits, can change into small pills, and the moves of the poker, and when she suddenly woke up after a crisis, they find that this is only a long dream of his own ... ...
Close your books this, rubbed his tired eyes, I fell into silent contemplation. When watching a small, think Alice blessed, you can enter the world of the book, even if it was a dream.
Have dreams, Alice's dream has been to fulfill her dreams?
Certainly, we do think this book is not simply the dream of her. Initially, Alice has just fallen into the hole, had thought she would cry like a normal girl, like a row, not the idea, but I was wrong, she gave her a strong and optimistic side presented to the reader, Let us know the story of the hero is not a weak timid little girl. The playing cards behind the soldiers and the queen with the exchange in another show of her intelligent and courageous.
Alice is a girl showed us her story could not help but to like her to because she experienced many ups and downs, while heart rate more than to escape because of her plight and very happy ... ...
Which is such a girl, I thought myself. I also have their own dreams, has also been indulging in the dream, joy, or cry. More want to get into the book to understand that beyond the general excitement. Used to think that dreams are so far away, because there is always gap between dreams and reality, the dream of paradise in the end how far? I really can go hand touch the place?
Thought of this, I do not know when the sky has been covered with the stars, look down their hands have been holding for a long time, "Alice in Wonderland" on the cover of Alice with a smile and her sister sat under the red maple, Sprinkled with a bright red maple leaves in ... ... could not help but laugh, and laugh like Alice, she can as brave and optimistic, why do I not? Although distant dream, though not real, but his heart is true, if we really want, nothing will do the same?
Again look at the sky, eyes not confused. North of the Big Dipper will change direction with the seasons, while the direction of life will not change with time. Alice has been waking up from a dream, and my dream is just beginning ... ...
Close your books this, rubbed his tired eyes, I fell into silent contemplation. When watching a small, think Alice blessed, you can enter the world of the book, even if it was a dream.
Have dreams, Alice's dream has been to fulfill her dreams?
Certainly, we do think this book is not simply the dream of her. Initially, Alice has just fallen into the hole, had thought she would cry like a normal girl, like a row, not the idea, but I was wrong, she gave her a strong and optimistic side presented to the reader, Let us know the story of the hero is not a weak timid little girl. The playing cards behind the soldiers and the queen with the exchange in another show of her intelligent and courageous.
Alice is a girl showed us her story could not help but to like her to because she experienced many ups and downs, while heart rate more than to escape because of her plight and very happy ... ...
Which is such a girl, I thought myself. I also have their own dreams, has also been indulging in the dream, joy, or cry. More want to get into the book to understand that beyond the general excitement. Used to think that dreams are so far away, because there is always gap between dreams and reality, the dream of paradise in the end how far? I really can go hand touch the place?
Thought of this, I do not know when the sky has been covered with the stars, look down their hands have been holding for a long time, "Alice in Wonderland" on the cover of Alice with a smile and her sister sat under the red maple, Sprinkled with a bright red maple leaves in ... ... could not help but laugh, and laugh like Alice, she can as brave and optimistic, why do I not? Although distant dream, though not real, but his heart is true, if we really want, nothing will do the same?
Again look at the sky, eyes not confused. North of the Big Dipper will change direction with the seasons, while the direction of life will not change with time. Alice has been waking up from a dream, and my dream is just beginning ... ...
第4个回答 2011-02-15
Alice's Adventures in Wonderland and its sequel, Through the Looking Glass, both of which are children's books with content and style that have often appealed as much to adult readers as to the young. It was published in 1865 and was in fact with a particular child in mind, Alice Liddell, and had the working title "Alice's Adventures Under Ground". As befits that title, the tale is indeed of a trip (with the additional psychedelic sense certainly intact for the modern reader) beneath normal existence. Alice follows a certain White Rabbit down from the riverside in a dream. This alternate reality follows its own internal logic and is therefore not merely an excuse for fantasy. This logic is played out by now well-known characters such as the Mad Hatter, the Queen of Hearts, the Mock Turtle, the Cheshire Cat and the March Hare whose tea parties and games have taken their place in the folklore of the real world through generations of readers. The story has no moral dimension to speak of and is therefore unusual for nineteenth century children's literature, but it does extol caution and other common sense values in the often foolish choices made by Alice that take her deeper into the strange dimension. Its popularity among adults has led to it being translated into Latin.
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